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Hearing about others’ dreams is boring for most people, so bear with me.

A few years ago I had a dream that I was at a cliffside bar overlooking the fog-covered ocean with a mystical woman named Aiska Fiskaday—maybe she was a mermaid—and some of the melody of this song stuck around in my head after I woke up.

I wanted to encapsulate the aquatic feeling of the dream and the melody. And I was listening to a lot of Kettle and Secede’s album “When Can” after hearing their song “Canned Forever” in Joost Jordens’ and Mike von Rotz’s incredible virtual reality experience, “Transition”, at Austin’s awesome Wonderspaces. The incredible production of “When Can” seeped into my brain.

I’d also been listening to Jon Hopkins’ “Music for Psychedelic Therapy”, trying to process and move past the range of difficult feelings I’d been experiencing. I’m nowhere near on par with Hopkins’ wholly immersive atmospheric production, but maybe one day.

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from Skull Vibrations and Osseous Transmissions, released April 20, 2022

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Tiger Shark Idaho Springs, Colorado

Heavy electronic beats inspired by Public Enemy, Atari Teenage Riot, Meat Beat Manifesto, Nine Inch Nails, plants and animals, alcohol, mountains, and the state of humanity.

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