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about

This track is more of my old school, late ‘90’s production style, where I’d just create 4-bar loops I thought sounded cool, string them together, then add and delete some of the loops as the song went on.

At that time, I was heavily influenced by industrial-leaning acts: Chicago Gabber producer Delta 9, who used 909 bass kicks like no one else and combined them with thrash guitar licks and rap samples; Atari Teenage Riot, who basically did the same but added overtly political sentiment a la Public Enemy; and Nine Inch Nails—Trent Reznor is the man.

Like “Aiska Fiskaday”, this incorporates a bit of a melody I heard in a dream.

I called it WOLF FLOW because 1) I like the multi-word palindrome, and 2) I’ve always loved wolves (so much that my second tattoo is a drawing I did of a howling wolf, on my shoulder).

More importantly, wolves—like all apex predators—are absolutely crucial to our wellbeing. And people still fear them like crazy, mainly out of ignorance. But humans are trying to decimate wolf populations through recently re-legalized, absolutely brutal hunting, as well as by cutting off the land they need to roam. They have huge territorial ranges, but in Colorado, they basically have nowhere safe to roam.

Rocky Mountain Wolf Project is an organization that is attempting to bring the wolf back to Colorado. All proceeds from this song will go to support that nonprofit’s efforts.

credits

from Skull Vibrations and Osseous Transmissions, released April 20, 2022

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Tiger Shark Idaho Springs, Colorado

Heavy electronic beats inspired by Public Enemy, Atari Teenage Riot, Meat Beat Manifesto, Nine Inch Nails, plants and animals, alcohol, mountains, and the state of humanity.

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